Separation Anxiety

Lore & Background

Though the game is titled after the comic book series Venom: Separation Anxiety, the story more closely follows the events of Venom's first limited series, Venom: Lethal Protector. The game's plot loosely follows Lethal Protector in the following ways: Appearance of Spider-Man (in Lethal Protector #1); Confronting the digger in San Francisco (as seen in Lethal Protector #1); Discovering the underground city (as seen in Lethal Protector #1); Appearance of The Jury (as seen in Lethal Protector #2); Removal of five symbiote seeds to create five new symbiotes (as seen in Lethal Protector #4); Spider-Man and Venom's escape from the Life Foundation (as seen in Lethal Protector #5); Confronting the five symbiotes at the Life Foundation Headquarters (as seen in Lethal Protector #5).

In Their Own Story

The game's plot loosely follows Lethal Protector. It begins with the appearance of Spider-Man (as seen in Lethal Protector #1) and moves to confronting the digger in San Francisco (as seen in Lethal Protector #1). Players discover the underground city (as seen in Lethal Protector #1) and encounter The Jury (as seen in Lethal Protector #2). A key turning point is the removal of five symbiote seeds to create five new symbiotes (as seen in Lethal Protector #4). The story culminates with Spider-Man and Venom's escape from the Life Foundation (as seen in Lethal Protector #5) and confronting the five symbiotes at the Life Foundation Headquarters (as seen in Lethal Protector #5).

Reader's Guide

Reviewing the Genesis version, Electronic Gaming Monthly's 'review crew' unanimously agreed that the game 'isn't much fun', particularly finding fault in the repetitive fights with the same enemies and the cheap combat, with its constant flow of unavoidable hits. They generally regarded the ability to play as either Spider-Man or Venom to be the one good feature of the game. A critic for Next Generation commented that the game's graphics, audio, and gameplay 'are all on par' with Maximum Carnage, but that there was nothing new or interesting to set the game apart from its predecessor or the other beat 'em up games on the market. GamePro's The Outlaw agreed that the level designs are unoriginal and monotonous, and was one of the few critics to find serious fault with the graphics and sound: 'The sprites lack detail, the thugs have washed out faces, and the heroes look dated. The game deserves dynamic music, digitized voice, and maybe some cool effects, but lacks all these key ingredients'. He nonetheless concluded it to be a solid action game worth buying, mainly citing the large variety of moves. Reviewing the Super NES version in the same issue, Air Hendrix held it to be superior to the Genesis version due to the more colorful and detailed graphics. Next Generation also found the SNES version's graphics 'relatively good', but again emphasized the game's lack of originality. A reviewer for Next Generation panned the PC port, calling it 'an arcade bash-fest with little in the way of the intricacy and depth possible in a PC game'. While noting that it was an extremely accurate port, he rated it lower than the Super NES and Genesis versions due to its poor value-for-money; he pointed out that a new Super NES or Genesis and a number of arcade-style beat-'em-ups for those systems could all be picked up for cheap.

Did You Know?

• The game is a sequel to Spider-Man and Venom: Maximum Carnage, released in 1995 for Mega Drive/Genesis and Super NES.
• Though titled after the comic Venom: Separation Anxiety, the story more closely follows Venom: Lethal Protector.
• GamePro's The Outlaw criticized the sprites for lacking detail and the thugs for having washed out faces.
• A Next Generation reviewer panned the PC port as 'an arcade bash-fest with little in the way of the intricacy and depth possible in a PC game'.